The Charles Hosmer - Morse Museum of American Art



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Collection Highlights

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Previous Next Summer panel from the Four Seasons window

Summer panel from the Four Seasons window, c. 1899–1900
Living room, Laurelton Hall, Long Island, New York, 1902–57
Exhibited: Exposition Universelle, Paris, 1900, and Prima Esposizione Internazionale d'Arte Decorative Moderna, Turin, Italy, 1902
Leaded glass
Tiffany Glass and Decorating Company, New York City, 1892–1900
40 1/2 x 36 5/8 in.
(57-017)

At the 1900 Exposition Universelle in Paris, Louis Comfort Tiffany (1848–1933) debuted a magnificent window depicting the four seasons. The Summer panel, with its bright poppies under a cobalt blue sky, is just one part of Tiffany’s extraordinary representation of nature’s cycle. Tiffany later divided the four panels of his Four Seasons window for installation at his Long Island estate, Laurelton Hall. The four main panels went into the living room while the border panels were placed in the garden entrance of the reception hall. Entirely composed of colored, plated, and textured glass, with no painted embellishments at all, the leaded-glass panels represent the highest achievement in Tiffany glassmaking. As a work of art, the panels symbolize the epic structure of life, of birth, aging, death, and rebirth. Surviving today with all their brilliant elements, these panels remain central works in understanding Tiffany’s genius, innovation, and place in American design. Above all, they remain objects of splendid beauty.

Summer panel from the Four Seasons window